I just finished reading through
the first part of Marcel Proust In Search of Lost Time, Combray (Found
in the book Swann’s Way). When I
originally found the book wandering through the not so local bookstore; I was
struck by the opening couple of pages during which the Proust describes falling
asleep while reading. The topic is
completely mundane but the style is exquisitely detailed. “Sometimes, my candle scarcely out, my eyes
would close so quickly that I did not have time to say to myself ‘I’m falling
asleep.’ And, half an hour later, the thought that it was time to try to sleep
would wake me up…†(p. 1) This sums up
the work: mundane and exquisite.
The story of Combray revolves
around the narrator’s childhood in the title town of Combray. We learn about his mother, father,
grandmother, aunt and cousins, and some of their neighbors. But the story is not what makes the book
stick in ones mind; rather it is the fluidity of the author’s style. He jumps from one topic to another, as if he
were leaping from one Lilly-pad to another chasing the light as it sparkles
across the surface of a pond. The
slightest sense releases a memory that changes the direction of the story. There is the last section of Part I of
Combray (a part that Lydia Davis, translator and introducer, would call
quintessential Proust) when the taste of madeleine (cake) in tea stimulates the
narrator’s memory. But it is just a
feeling that there is something hidden beneath the surface; after battling to
restore it, the memory only returns after the narrator surrenders. The memory is of Combray, of which we soon
learn a great deal. (pp. 46 & 47)
But the story is not about
Combray rather it is about the narrator as a boy. We do not learn about this hypochondriac aunt but how he
perceives her (and her madeleine). We
do not learn about the road to Guermantes but how the river and flowers found
at its side inspire his imagination.
Everything in the town reflects the boy and is exaggerated by the boy’s
limited scope; his aunt has always been bedridden, and the town of Guermantes
exists in name only for he has never followed it to its end. His is a child’s view of the world. Everything is small; everything is
personal. The reader is not required to
question why things are, why his grandmother walks in the rain or why the
family eats lunch early on Saturday.
Things are as they are and one only has to look around to find beauty
and comfort.
Though not everything is
comfortable for the boy. There is also
the irrational fear that comes over him every night, when he wonders if his
mother will kiss him goodnight. If she
did not come he would lay away starring at the images the night-light would
project on the wall. All goodness and
happiness would vanish from his world. But
this fear is relegated to the darkness, and vanquishes with the sun every
morning.
The book also appeals to on a
more personal level for I feel there seems to be a kinship between the author
and myself. In one section the boy
fantasizes about meeting a noblewoman and being brought to her court, but he
dream is incomplete:
She would make me
tell her the subjects of the poems that I intended to compose. And these dreams warned me that since wanted
to be a writer someday, it was time to find out what I meant to write. But as soon as I asked myself this, trying
to find a subject in which I could anchor some infinite philosophical meaning,
my mind would stop functioning, I could no longer see anything but empty space before
my attentive eyes, I felt that I had no talent or perhaps a disease of the
brain kept it from being born. (pp. 176 & 177)
The frustration that, when it
comes to important things (at least personally) there is no vision, no driving
force outside of a desire to be good at something. Quite often, while reading this book, I would find myself
relating authors meandering mind to my own.
This is one of the strong points
of the work. It forces ones own mind to
wander. Reading this book is like
falling asleep while reading. As you
read through the pages you mind wanders and you create your own version of
Proust’s world with you at its center.
You find yourself rereading sections not just because the style is so
captivating but the memories that bubble forth while reading them send your
mind elsewhere. This work is a reminiscence for both the author and the
reader.